Song story
Hate Me
- primaryEllie Goulding
- featuredJuice WRLD
Hate Me is a recording by Ellie Goulding, released in 2019.
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@auratbeat
Hate Me #elliegoulding #lyrics #fyp #applemusic #song
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There is more to Ellie Goulding.
Ellie Goulding’s music spans dance, electronic, punk, dream pop, and electropop, with representative songs including “Burn,” “Love Me Like You Do,” “Hate Me,” and “Outside (feat. Ellie Goulding).” Find updates and content on Spotify, TikTok, YouTube, and Instagram, with available sections including Instagram posts, TikTok highlights, recent coverage, and playlists.
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Ellie Goulding
Love Me Like You Do - From "Fifty Shades Of Grey"
2015Ellie Goulding
Burn
2012Ellie Goulding
Love Me Like You Do
2015Ellie Goulding, Diplo, Swae Lee
Close To Me
2018Ellie Goulding
Anything Could Happen
2012
Ellie Goulding
Army
2015Ellie Goulding
Figure 8
2012Ellie Goulding
Vincent
2018Ellie Goulding
Hanging On - Edit
2012Ellie Goulding, Big Sean
Easy Lover (feat. Big Sean)
2022Ellie Goulding
Let It Die
2022Ellie Goulding
Every Time You Go
2010Showing 12 of 69 songs
The numbers behind the music
Explore the streaming estimates.
Curious about the numbers? See available royalty estimates and an optional catalog valuation.
Deterministic forecast
Spotify royalty estimates
All time
$3,584,000
Rounded forecast · nearest $1,000
estimated Spotify gross royalties to rightsholders
Inputs and assumptions
- As of
- Oct 16, 2026
- Source
- Chartmetric
- Formula version
- artistsphere_spotify_gross_preview_v1
Each figure multiplies an identity-matched Chartmetric Spotify stream count by a deterministic $0.003 modeled gross rightsholder rate. The estimate is gross to rightsholders before contractual splits, fees, recoupment, and taxes; it is not artist take-home pay.
These estimates represent gross royalties to rightsholders before contractual splits, fees, recoupment, and taxes. They do not represent artist take-home pay.
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Explore the modeled all-platform range, estimated revenue sources, and illustrative recording and composition rights splits. These are estimated gross royalties to rightsholders, not artist take-home pay.
Catalog value model
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