Song story

I Know What You Want (feat. Flipmode Squad)

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Catalog dateJan 1, 2002

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Selected TikTok examples

Popular videos featuring I Know What You Want (feat. Flipmode Squad).

Sound: I Know What You Want (feat. Flipmode Squad)

@nflrjay

I Know What You Want

18.6M views

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Sound: I Know What You Want (feat. Flipmode Squad)

@.jiggyturner

Twitch- Jiggyturner @Selah #fyp #viral #jiggyturner

13M views

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Sound: I Know What You Want (feat. Flipmode Squad)

@karineitor16

🤰@Sergio Bueno Credits: @Anwar Jibawi

5M views

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Sound: I Know What You Want (feat. Flipmode Squad)

@anwar

🕺🏻🤰🏻

2.6M views

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Sound: I Know What You Want (feat. Flipmode Squad)

@jasontheween

Jshock missed the pass 💔 #fyp #jasontheween #jshock

1.7M views

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Keep exploring

There is more to Busta Rhymes.

Busta Rhymes is associated with hip-hop/rap, gangsta rap, r&b/soul, boom bap, and east coast rap. Representative songs include "Don't Cha," "Look At Me Now (feat. Lil' Wayne & Busta Rhymes)," "I Know What You Want (feat. Flipmode Squad)," and "Break Ya Neck," and you can follow updates on Spotify, YouTube, Instagram, and TikTok. Available sections for more context include Instagram posts, TikTok highlights, and recent coverage.

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The numbers behind the music

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Deterministic forecast

Spotify royalty estimates

Gross to rightsholders

All time

$1,549,000

Rounded forecast · nearest $1,000

estimated Spotify gross royalties to rightsholders

Inputs and assumptions
As of
Oct 6, 2026
Source
Chartmetric
Formula version
artistsphere_spotify_gross_preview_v1

Each figure multiplies an identity-matched Chartmetric Spotify stream count by a deterministic $0.003 modeled gross rightsholder rate. The estimate is gross to rightsholders before contractual splits, fees, recoupment, and taxes; it is not artist take-home pay.

These estimates represent gross royalties to rightsholders before contractual splits, fees, recoupment, and taxes. They do not represent artist take-home pay.

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Explore the modeled all-platform range, estimated revenue sources, and illustrative recording and composition rights splits. These are estimated gross royalties to rightsholders, not artist take-home pay.

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