Song story

I'm Still Standing

"I'm Still Standing" is a song credited to Elton John and released on 1983-05-30.

Catalog dateMay 30, 1983

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Behind the recording

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Selected TikTok examples

Popular videos featuring I'm Still Standing.

Sound: I'm Still Standing

@.alice.xoxo

I'm Still Standing - Remastered

27.4M views

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Sound: I'm Still Standing

@draqulynn

I'm Still Standing - Remastered

19.1M views

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Sound: I'm Still Standing

@stv4nmeffy

I'm Still Standing - Remastered

16.8M views

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Sound: I'm Still Standing

@aminhoooo

I'm Still Standing - Remastered

15.5M views

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Sound: I'm Still Standing

@itsjojosiwa

Literally the best night 🌈 Happy pride month everyone!!!🥳❤️

14.6M views

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Sound: I'm Still Standing

@pierogrieco

skill issue 😎 | merch: @kratos.attire

14.3M views

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Keep exploring

There is more to Elton John.

Elton John’s music is represented here across pop, rock, glam rock, soft rock, and greek hip-hop, with songs including "Your Song," "Tiny Dancer," "Rocket Man (I Think It's Going To Be A Long, Long Time)," "I'm Still Standing," and "Don't Go Breaking My Heart." Follow along on Spotify, TikTok, YouTube, and Instagram for playlists, Instagram posts, and TikTok highlights.

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The numbers behind the music

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Deterministic forecast

Spotify royalty estimates

Gross to rightsholders

All time

$5,144,000

Rounded forecast · nearest $1,000

estimated Spotify gross royalties to rightsholders

Inputs and assumptions
As of
Sep 7, 2026
Source
Chartmetric
Formula version
artistsphere_spotify_gross_preview_v1

Each figure multiplies an identity-matched Chartmetric Spotify stream count by a deterministic $0.003 modeled gross rightsholder rate. The estimate is gross to rightsholders before contractual splits, fees, recoupment, and taxes; it is not artist take-home pay.

These estimates represent gross royalties to rightsholders before contractual splits, fees, recoupment, and taxes. They do not represent artist take-home pay.

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Explore the modeled all-platform range, estimated revenue sources, and illustrative recording and composition rights splits. These are estimated gross royalties to rightsholders, not artist take-home pay.

Catalog value model

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