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There is more to Piso 21.
Piso 21 makes music across perreo, reggaeton, latin pop, urbano latino, and colombian pop. Listen on Spotify, and explore available videos, Instagram posts, and recent coverage for more.
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Piso 21, Manuel Turizo
Déjala Que Vuelva
2017Piso 21, Micro TDH
Te Vi
2018Piso 21, Christian Nodal
Pa' Olvidarme De Ella
2018Piso 21, Paulo Londra
Te Amo
2018Piso 21
Puntos Suspensivos
2018Piso 21
Besándote
2017Piso 21, Carín León
Que Triste
2022Piso 21, Zion & Lennox
Dulcecitos (feat. Zion & Lennox)
2020Piso 21, Micro TDH, Gangsta
Segunda Cita
2026Piso 21
DÉJALO EN VISTO
Piso 21
Felices Perdidos
Piso 21
Los Cachos
Showing 12 of 23 songs
The numbers behind the music
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Deterministic forecast
Spotify royalty estimates
All time
$363,000
Rounded forecast · nearest $1,000
estimated Spotify gross royalties to rightsholders
Inputs and assumptions
- As of
- Sep 12, 2026
- Source
- Chartmetric
- Formula version
- artistsphere_spotify_gross_preview_v1
Each figure multiplies an identity-matched Chartmetric Spotify stream count by a deterministic $0.003 modeled gross rightsholder rate. The estimate is gross to rightsholders before contractual splits, fees, recoupment, and taxes; it is not artist take-home pay.
Trailing 12 months
$12,000
Rounded forecast · nearest $1,000
estimated Spotify gross royalties to rightsholders
Inputs and assumptions
- As of
- Sep 12, 2026
- Source
- Chartmetric
- Formula version
- artistsphere_spotify_gross_preview_v1
- Measured period
- Sep 12, 2025–Sep 12, 2026
Each figure multiplies an identity-matched Chartmetric Spotify stream count by a deterministic $0.003 modeled gross rightsholder rate. The estimate is gross to rightsholders before contractual splits, fees, recoupment, and taxes; it is not artist take-home pay.
These estimates represent gross royalties to rightsholders before contractual splits, fees, recoupment, and taxes. They do not represent artist take-home pay.
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Explore the modeled all-platform range, estimated revenue sources, and illustrative recording and composition rights splits. These are estimated gross royalties to rightsholders, not artist take-home pay.
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