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Popular videos featuring Medusa.
Sound: Medusa
@jhstore.se
Pike Brothers 1936 Waffle Knit - Kvalitet och Detaljer i Klassisk Farfärströja Vi pratar om en klassisk Pike Brothers 1936 Waffle Knit tröja som finns tillgänglig i tre färger: grå, armygrön och ekru. Kvaliteten och detaljerna på denna tröja är helt fantastiska, och den har en något längre passform. Jag bär storlek medium och en klassisk farfärsdröja blir inte mycket bättre än så här. #linköping #sverige #workwear #pikebrothers #carhartt #fjällräven #blundstone #denim #selvedgedenim
1.2M views
Watch on TikTok ↗Sound: Medusa
@soundtomusic
ZIJN BESTE LIED ALS JE HET MIJ VRAAGT!!!! @Cameron Whitcomb #medusa #fyp #hundredmilehigh #cameronwhitcomb
1.1M views
Watch on TikTok ↗Sound: Medusa
@global.sounds3
No matter what, it’s always you. 💫💕 #medusa
832.8K views
Watch on TikTok ↗Keep exploring
There is more to Cameron Whitcomb.
Cameron Whitcomb creates music across country, alternative, country rock, new country, and southern rock, with representative songs including “Quitter,” “Medusa,” “Love Myself,” “Kingdom of Fear,” and “Options.” Follow along on Spotify, YouTube, Instagram, and TikTok for videos and TikTok highlights.
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Cameron Whitcomb
Quitter
2024Cameron Whitcomb
Kingdom of Fear
Cameron Whitcomb
Options
2025Cameron Whitcomb
Hundred Mile High
2025
Cameron Whitcomb
Bad Apple
Cameron Whitcomb
Fragile
Cameron Whitcomb
Gasoline & Matches
Cameron Whitcomb
Kingdom of Fear
Cameron Whitcomb
Love Myself
Cameron Whitcomb
Problem
Cameron Whitcomb
Rocking Chair
Cameron Whitcomb
Shoot Me Dead
Showing 12 of 16 songs
The numbers behind the music
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Deterministic forecast
Spotify royalty estimates
All time
$571,000
Rounded forecast · nearest $1,000
estimated Spotify gross royalties to rightsholders
Inputs and assumptions
- As of
- Sep 26, 2026
- Source
- Chartmetric
- Formula version
- artistsphere_spotify_gross_preview_v1
Each figure multiplies an identity-matched Chartmetric Spotify stream count by a deterministic $0.003 modeled gross rightsholder rate. The estimate is gross to rightsholders before contractual splits, fees, recoupment, and taxes; it is not artist take-home pay.
These estimates represent gross royalties to rightsholders before contractual splits, fees, recoupment, and taxes. They do not represent artist take-home pay.
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Catalog value model
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