Song story

You Know I'm No Good

You Know I'm No Good is a recording by Amy Winehouse, released in 2006.

Catalog dateJan 1, 2006

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Spotify playlists

Where listeners find You Know I'm No Good.

Selected TikTok examples

Popular videos featuring You Know I'm No Good.

Sound: You Know I'm No Good

@shynessdidmecurly

You Know I'm No Good

10.2M views

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Sound: You Know I'm No Good

@iamtoothlessandruthless1

GRWM #goodmorning #miamibeach #toothless #foryou

9.8M views

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Sound: You Know I'm No Good

@hesselhersmiss

You Know I'm No Good

6M views

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Sound: You Know I'm No Good

@y.6789998212

Trying out Kris Jenner's recommendation !! #GlowwithKris #rejuran #turnoverampoule #pdrn #koreanskincare

4.7M views

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Sound: You Know I'm No Good

@emingunencc

You Know I'm No Good

4.3M views

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Sound: You Know I'm No Good

@axl333.me

You Know I'm No Good

3.7M views

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Sound: You Know I'm No Good

@useeervilma

You Know I'm No Good

3.6M views

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Sound: You Know I'm No Good

@canlakurta

You Know I'm No Good

3.5M views

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Keep exploring

There is more to Amy Winehouse.

Explore Amy Winehouse through ArtistSphere's verified catalog signals across pop, rock, r&b/soul, with Back To Black, Valerie - BBC Radio 1 Live Lounge, Rehab as listening starting points. Continue with the available verified links and fan discovery sections for Spotify, Instagram, YouTube, TikTok, Instagram posts, TikTok highlights, recent coverage gathered for this artist page.

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The numbers behind the music

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Deterministic forecast

Spotify royalty estimates

Gross to rightsholders

All time

$2,174,000

Rounded forecast · nearest $1,000

estimated Spotify gross royalties to rightsholders

Inputs and assumptions
As of
Sep 26, 2026
Source
Chartmetric
Formula version
artistsphere_spotify_gross_preview_v1

Each figure multiplies an identity-matched Chartmetric Spotify stream count by a deterministic $0.003 modeled gross rightsholder rate. The estimate is gross to rightsholders before contractual splits, fees, recoupment, and taxes; it is not artist take-home pay.

These estimates represent gross royalties to rightsholders before contractual splits, fees, recoupment, and taxes. They do not represent artist take-home pay.

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